Accessories

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There’s a new mini bag in town, and it’s even more petite than the ones we’ve come across. Coined the Celly by Glamour US, the Celly is the perfect accessory for summer activities that don’t require much more than your phone and some cash.

While not the most practical choice for every situation, this current It bag is just big enough to fit a smartphone… and perhaps your ID. But we still love their style, shape and pattern.

Here is the latest line up.

7 Latest Trend in Minimalist Bags was originally published on http://completefashion.org/celly-latest-trend-in-minimalist-bags/ on

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Fanm Djanm means strong woman – and the summer collection of the NYC-based headwraps & accessories brand celebrates strong, bold and beautiful black women in its latest photo shoot – taken in Puerto Rico. The colors and the energy in these images are just amazing. My favorite is the shot with the elegant pastel colors and the one with the short print dresses and all the beaded necklaces piled on top of each other. That’s such a fab look! The Fanm Djanm website also offers headwrap tutorials – have a look at them and start practicing your headwraping game, so that you are ready to rock your crowns this summer.

Credits:

The post Summer Can Come: New Headwraps by Fanm Djanm appeared first on African Prints in Fashion.

Summer Ready! Check Out The New Headwraps by Fanm Djanm!! was originally published on http://feedproxy.google.com/~r/AfricanPrintsInFashion/~3/IqESX26BHak/new-headwraps-popsicles-and-pastel.html on

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In the stables of Christian Louboutin, every skin tone now has a nude pumps that matches it perfectly.

The designer recently announced the addition of two new shades to his Nudes collection with a series of images of chic flats.

The luxury shoe designer took to Instagram to announce the news, posting photos of seven models with very different skin colors sporting the new collection of pointed flat pumps, with chic matching tutus.

He wrote, “This spring, two new hues join our Nudes collection to create a spectrum of seven suited to any skin tone, from porcelain to deep chocolate.”

The flats, which feature a simple ballerina bow detail on the front and betray no visible seams, are crafted from flexible matte nappa leather designed to mimic the look and feel of skin, the designer explained. The aim is that the shoes “nearly disappear on the leg” for a light and minimalist result.
Here are the seven shades

Match Your Skin Tone Perfectly With Christian Louboutin Nude Flat Pumps was originally published on http://completefashion.org/match-your-skin-tone-with-christian-louboutin-nude-flat-pumps/ on

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The new trend being witnessed now is all about redefining and minimizing what counts as everyday essentials. Mini handbags have taken over as the season’s must-have and we are being forced to make a choice between what’s important and what’s not.

When carrying these tiny handbags, you are forced to stick to the fundamentals: purse, cellphone, lipstick and powder if you are lucky.

Don’t be depressed yet because there is a good side to this minimalist look. It takes the weight of the tote off your shoulder, and it is a fun way to make a major fashion statement.

We would definitely miss lugging around all our daily, (sometimes unnecessary) necessities, but it would be a small price to pay to try out these chic looking trendy mini bags.

Here are a few ways to rock your mini bags.

 

 

Mini Handbags Making A Comeback! was originally published on http://completefashion.org/mini-handbags-redefine-fashion-for-women/ on

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After years of fighting negative stereotypes about Africa, especially through Western news cycles, a generation of passionate Afrocentrists are finally doing something about it. A new wave of actors and allies are taking on the responsibility of representing African cultures, values, identity and heritage, and are subsequently working to play a role in determining the fate of the continent.

Photo courtesy of Fanmdjanm and Islandboiphotography

Michelle Obama just hosted African dance classes at the White House! Kendrick Lamar opened his set after raking in 5 awards at the Grammys, saying, “I’m African-American, I’m African! …” The set-design for “Allright” consisted of a fireside setting in an african village! As if this blatant display of Afrocentricity wasn’t enough, Kdot completed his set with the African map on the backdrop, Compton at the center, unapologetically representing both his African and American heritage.

Lupita Nyong’o has graced the cover of Vogue and other leading magazines in the US and around the world so many times lately, I’ve lost count. John Boyega, the son of a Nigerian immigrant by way of England played a leading role in Star Wars! Yes, you heard that right.

Meanwhile, Beyonce has not only openly engaged African choreographers in her recent videos, she also used a speech by Chimamanda Adichie on her track “Flawless,” literally lifting the quote without an attempt at disguising, adjusting or changing Chimamanda’s voice or accent!

Idris Elba, a first-generation Brit of Ghanaian and Sierra-Leonian heritage is a darling of film goers everywhere, and recently called on his government to address issues like Ebola and the lack of diversity in the UK film industry. It’s only a matter of time before he plays Bond. Meanwhile, FELA! a story on the life of Nigerian activist and Afrobeat legend enjoyed a lengthy spell on Broadway.

Ghanaian rapper, Sarkodie and Hip-Life producer ODG took the Azontophenomenon global. Davido, another Nigerian sensation just graced the cover of FADER’s global magazine! Danai Gurrira, a first generation American born to Zimbabwean parents has the first “all Black, all women” production, Eclipsed, on Broadway, telling the story of 5 women from the Liberian civil war era. The list goes on and on …

But this open embrace of African culture hasn’t magically arisen in the last couple of months. It’s a momentum that has been building for a minute. How did we get here? How did we arrive at this point of unapologetic Africanness? We finally appear to have traveled a great distance from the era when all you saw about Africans in the media were images of malnourished kids with protruding bellies, buzzing house flies roaming their dirty faces. Trevor Noah does a great take on this particular misrepresentation of Africans in one of his most popular jokes, The UNICEF Fly.

While there is still a lot of work to be done to encourage opportunities like dual citizenship and practical land-ownership laws for returnees, more Africans in the diaspora are finally embracing the idea of being identified as Africans, visiting the continent more and even moving back to settle. Why?

I see vividly the length we have come from stale stereotypes to this new renaissance. As a young, eager Ghanaian student at Columbia University, I used to be confused when I would invite other Africans to African student meetings, only to hear, “My mum and dad are from, but I am American…” I would chuckle and encourage them to go ahead and enjoy their game of fencing or beer pong or whatever western activity they found more desirable than a good hang with other African students offering free Jollof Rice and fried ripe plantains.

At the time (and this wasn’t that long ago), there simply weren’t enough reasons for anyone to express a sense of pride in an African identity, considering how Africa used to be portrayed in the media. And while much of that negative portrayal hasn’t changed, several social movements have risen to showcase sides of Africa previously unknown — or perhaps known by some, but less dramatic and less profitable for news cycles. Enhancing and portraying a positive worldview of African fashion, food, and culture on social media has penetrated the psyche of a whole generation of “gottabes.” (Wannabes wanna be, Gottabes gotta be).

During these brief posts titled, “Two troubles one God,” I will be examining critical aspects of the ongoing conversation between Africans, Africans in the diaspora, including African-Americans, Caribbeans, and white people who identify around a shared African identity. “Two troubles,” because of the constant push and pull between an African identity and other identities one might have inherited, in addition to being African, “one God,” referring to a supreme mother Africa, the common thread running through these discourses.

Photo courtesy of The Bazaar Bohemian

But before it was cool to be African, Kofi Annan’s role as Secretary-General of the UN was crucial for young Africans in and outside the continent, who had been deprived of positive global leaders they could emulate. His appointment helped young Africans around the globe to embrace their African identity and show up. I remember applying to colleges thinking, “The next generation of leaders are all applying to college now.” It was the leadership of people like Kofi Annan that gave me the courage to apply to come halfway across the world to study at an elite university, though I did not come from an elite family.

Bono could claim the “One campaign” changed the world’s view of my continent. Jeffrey Sachs could claim it was the launch of the UN’s Millennium Development goals that brought African countries urgently to the forefront of development-focused initiatives.

Mahmood Mahmdani could argue that his fight against propaganda around Darfur encouraged Africans to speak out, and even claim the narrative of their nation states. Others would argue, however, that most folks weren’t privy to the eloquent debates taking place in lofty chambers under Ivy league towers and that it was artists like Fela Kuti, Miriam Makeba, and co. that did the job!

I hear Grammy award winners, Angelique Kidjo and Youssou Ndour showcasing their work, chipping off ignorance and hate, and enforcing a sense of pride about the continent one song, award, and gig at a time, in the US and around the globe. Akon would claim, half a decade of hits, an unapologetic depth of melanin, and an African consciousness, not necessarily in sound but by representation, did the job.

K’naan will point at the dates from the release of “Soobax” to the performance of “Waving Flag” at the 2010 World Cup to reminding us of how his events became a “coming out” of sorts for young East Africans and Africans in the West. He might say his audience used his growth and rise to fame as a launchpad to freely embrace and showcase their identities.

Arise Magazine might want to have a say as one of the premier media outlets that brought positive images of growing middle-class economies on the continent into the limelight.

A whole generation of African models in the last decade or two, such as Alek Wek, Liya Kebede, Nykhor Paul, Maria Borges, could say they have broken ground. Somali twins, Ayaan and Idil of the Maatano brand, as well as Ghanaian born, Mimi Plange have made huge strides in the fashion industry.

Two American Presidents certainly might point to their much more profound contribution. Bill Clinton would state that, as the first sitting president of the US to visit Africa during his presidency, he brought a huge wave of exposure, enthusiasm, investors, pride, confidence and opportunity to the continent. While he might have missed steps in his African agenda, he did more to ensure that its voice was taken seriously around the world than any prior US president.

President Obama might insist that he brought a lot more to the table as an African-American US president with undeniable Kenyan roots which, in his proud expression of them, resonated everywhere, ringing the bell of hope and possibility louder and clearer than any policy position could have.

Chimamanda Ngozi Adichie, author of Purple Hibiscus and Americanah, could stress that, as recent as the release of her work might have been, her books did a lot to encourage the “coming out” of young women of color who finally felt they had found both a feminist and African voice that echoed their sentiments, encouraged their afrocentricity, and expounded on their thoughts and reflections in a way very few writers have done before. She would argue that she encouraged them to be bold, defiant feminists who could weave a sense of an African identity that can be embraced by both the African-American and the African at home.

Taiye Selasie, author of Ghana Must Go would say, “O, go back to ’05, I explained in my essay Bye Bye Barbar:

One answer is: adolescence. The Africans that left Africa between 1960 and 1975 had children, and most overseas. Some of us were bred on African shores then shipped to the West for higher education; others born in much colder climates and sent home for cultural re-indoctrination. Either way, we spent the 80’s chasing after accolades, eating fufu at family parties, and listening to adults argue politics. By the turn of the century (the recent one), we were matching our parents in number of degrees, and/or achieving things our ‘people’ in the grand sense only dreamed of. This new demographic - dispersed across Brixton, Bethesda, Boston, Berlin - has come of age in the 21st century, redefining what it means to be African.

There is a whole generation of Afropolitans, Afrofuturists, Afropunks, Afrocentrists, Pan-Africanists, employing a list of descriptors which have served as unifiers in creating communities and social movements, that have accelerated exponentially with the advent of Facebook, Twitter, Instagram and other social media.

No one can say exactly when this Afropolitan Renaissance was born. What we can agree on is that a critical mass of events have made it a lot easier and more practical for folks who want to identify with their African heritage to jump in. As they often say at the Black, Caribbean and African student gatherings these days: “The student meetings are lit, and the community is woke!”

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“I’m beading boots,” says Ahsaki Báá LaFrance-Chachere, late on a Sunday night, with the enthusiasm of an entrepreneur on the precipice of something big.

This turquoise-clustered pair is called Turquoise Haven, she says, though many of the boots in her newly conceived Four Arrows line are simple designs for everyday wear. The concept behind the brand is quality boots at affordable prices.

The 25-year-old Navajo and African American businesswoman launched Four Arrows on February 1, and the retail website,four-arrows-westernwear.com, debuted on February 14. The brand is largely targeted at rodeo hands, like her husband and business co-founder Dennis Chachere, a Professional Rodeo Cowboys Association tie-down roper from Houston, Texas.

Four Arrows will unveil its women’s clothing line and official spring collection of boots in mid-April. The couple markets Four Arrows by sporting the products, as well as regularly posting photos and updates on Facebook (4 Arrows), Instagram (4arrows_westernwear) and Twitter (@_fourarrows). “I’m just so excited,” LaFrance-Chachere frequently repeats with a contagious, upbeat optimism.

LaFrance-Chachere, a designer and model with a penchant for rodeo culture, grew up around the arena, though she’s only competed twice herself: once as a child and again last year in barrel racing in a Real Cowboy Association tournament. “Rodeo is very big back home on the reservation. Going to weekend rodeos to cheer on family members and friends is always fun,” she says. “Another big reason I love to go to rodeos is because of the concessions/food stands. I love food,” she adds.

Ahsaki Báá LaFrance-Chachere, 25, born to a Navajo mother and African-American father, takes pride in her roots. (Courtesy LaFrance-Chachere)

Immersed in daily ranch life, designing boots was a natural step for the artist who avidly sketched outfits and footwear. “Coming from a family that tends to livestock on a daily basis, it wasn’t the place to wear high heels,” she says. So when drawing outfits, she paired her designs with boots. “And from there simple drawings turned into the purchasing of materials and I started making boot covers. I still do make boot covers in my spare time,” she says.

Raised in Besh-Be-Toh on the Navajo Reservation in Northeastern Arizona, along with her two younger sisters, Nizhoni and LaBelle, she credits her Navajo roots and her parents George and Darlene LaFrance with instilling personal pride and faith in her unique strengths and a determination to succeed.

“I was raised to become independent and to always remember that the only person who can stop me is myself,” LaFrance-Chachere says. “It’s because of my parents that I am who I am today. It’s my Navajo traditional upbringing that’s molded me and guided me through my life.”

LaFrance-Chachere partnered with Innovation Boots to get her brand up and running, while the couple secures loans and raises money to invest the roughly $50,000 to own their brand. “It was a big decision to make. I’m not made of money; my parents are not made of money. Everything starts small, and I’m fine with that,” she says.

LaFrance currently only sells her designs through four-arrows-westernwear.com, though she has high hopes of opening a storefront down the road.

The Four Arrows name stems from Navajo tradition. “The number four is very sacred,” she says, referencing the four sacred mountains and the Four Directions. “The arrow is a sign of protection. Navajos believe the four arrows represents protection in front of you, protection behind you, protection beneath you, and protection above you.”

Her brand is not a fad or a marketing ploy. “It’s not a cute little trend. My customers will be protected all around them,” she says.

Like her mother taught her, LaFrance-Chachere places bow and arrows above all the doors in her home in Conroe, Texas. The couple lives on a ranch with three roping horses: Carmel Carmen, Monster and Magic, and two puppies: Dodge, a toy poodle, and Pepper, an Australian shepherd “guard dog.” They plan to get “more [animal] babies” when they finish their arena. “We’re saving up for a roping arena for Dennis to practice,” she says.

Four Arrows - G1111 (four-arrows-westernwear.com)

Four Arrows’ designs are priced affordably, genrally at copy65 or copy85, rather than the high-fetching $300- or $600-plus boots typically sold by mainstream brands. Four Arrows currently features more than 30 different styles including boots, hats, clothing and accessories. The boots are fashioned from quality leather sourced from León, Mexico, “the capital of boots,” she says. “These guys know what they’re doing.” She discovered León, the global shoe capital, by knocking door-to-door on custom boot stores and inquiring. “They kept saying León,” she says — and the craftsmanship is evident in Four Arrow’s top-notch leather, intricate stitching, sturdy soles and comfortable fit.

Four Arrows designs are intended to last through the seasons and endure rough conditions, like rodeo competition and tending to livestock. While Four Arrows offers more creative boots in various categories, its main line is geared at everyday wear: for activities like hauling water or herding sheep. “Everyday people don’t like to be flashy unless they’re going out. Rodeo women, ranch women and cowboys, they want a go-to brown boot or black boot,” LaFrance-Chachere says. “I want someone to think: I can wear those rounding up the cattle or going to the feed store. But maybe they’ve got another pair for dance night or dinner date night.”

Rustic Arrow boots in tan (www.four-arrows-westernwear.com)

The designs — the types of leather, the intricate stitching, the embroidery, the colors, the stones — stem from LaFrance-Chachere’s background as well as urban trends. LaFrance-Chachere aspires to create a variety to match diverse personalities and tastes. “Native American culture and a mix of modernity is what inspires the boot designs. The designs of the boots are created to reach everyone,” she says.

As a Navajo and African American, LaFrance-Chachere specifically hopes to appeal to her brothers and sisters. “I feel it’s time we as Native Americans and African Americans have our own line — not excluding others, but to show that we are here, too. I’m the first, and it’s exciting. I’m reaching an untouched market,” she says.

LaFrance-Chachere is also employing what she learned from her modeling career in her design business — empowering people of different cultures by representing them in her marketing materials. “I want to showcase models of different ethnicities and promote diversity,” she says. “I want to bring more than the latest fashion to the world; I want to bring culture and fashion together. ”

The Four Arrows duo is also keenly aware of the high costs of rodeo life, from livestock feed to veterinarian visits to long road trips, so their mission is to make quality boots accessible to the everyday rodeo hand or rancher. “Everyday people deserve quality boots — Natives, Africans, Hispanics, etcetera — everyone deserves good boots a for fraction of the [brand name] price,” LaFrance-Chachere says.

While she’s a fan of the major brands, like Justin Boots, John B. Stetson Company and Roper, LaFrance-Chachere wants to fill a niche and outfit the everyday ranch woman or cowboy with something high-quality, comfortable and stylish. As she puts it: “I give all other boot companies mad respect because this is hard. Doing all of this with my husband from scratch has been a great experience,” she says.

Deeply committed to her business, she’s at once confident and humble about her imminent success. “I cannot wait for everything to fall into place,” she says. “I cannot wait to come back home and have someone say, ‘That’s the owner of Four Arrows. I bought her boots.'”

The brand’s tagline “Dare To Be Different” sums up her personal and brand ethos — she is fearless in pursuing her dreams while embracing her cultural identities. Her fierce spirit owes its strength to her roots: Tábąąhá (Water’s Edge), Naakai Łizhinii (African Descent), and Tséńjíkiní (Cliff Dwellers).

“If the Creator takes us far, which I do pray, we will always be everyday people,” she says. “My husband and I, we want everyone to remember that we’re everyday people. We’re always going to be at those backyard ropings, those little weekend rodeos. I’m going to remember where I came from. I’m that Navajo girl on the reservation, hauling water, herding sheep and participating in traditional ceremonies — and will always be, for myself and for my future kids.”

LaFrance-Chachere deeply identifies with her heritage and respects her traditions. She’s also faced frustrating situations that have required her to explain her cultural identity and defend against cultural appropriation. She recalls a recent incident: “A few weeks ago, I was at the Professional Rodeo Cowboys Association Stock Show and Rodeo in Lake Charles, Louisiana, when a lady approached me to compliment me on my ‘Navajo boho look.’ I told her I am Navajo and that this is not a trend but my identity.”

Ahsaki Báá LaFrance-Chachere

Similarly, she’s quick to point out that Four Arrows knows what traditional designs or methods are acceptable to use on her western boots. “There are companies that use sacred sand painting on boots and clothing designs. Growing up traditionally, you know you are not allowed to do that, but people outside of our culture aren’t aware of this and don’t understand and still use it as designs for fashion,” she explains. “Four Arrows will always respect our traditional culture and leave sacred patterns and designs sacred. Period.”

When LaFrance-Chachere does incorporate Native designs and materials, she does so with purpose. “Turquoise is not just a stone or a fashion trend. It’s a way our Creator identifies with us,” she says. “My goal is to showcase our style respectfully. Four Arrows respects everyone’s culture, and that’s what we want to be known for.”

LaFrance always intends to maintain a very personal relationship with her customers. People like to call her and ask, “How far is my boot along?” and they appreciate speaking with the designer herself.

“I had a customer call Friday night after walking into Cavender’s Boot City,” she says. After checking out the high-dollar options, he reached out to the Four Arrows company. I was like, ‘We got you.’ We saved his pockets,” she says.

LaFrance-Chachere frequently expresses her gratitude for her new customers — “for taking a chance with us as a new business. We are doing a good job because we’re very picky with our boots; boots say a lot about a person. We want to make sure we continue to pull the best leather. I want customers to think, ‘I can trust Four Arrows.’ I’m building that name. I want them to know I’m not going anywhere. I’m here to stay. I’m really serious about this,” she says.

Her advice to young men and women is to get an education. “It is never too late to learn; learning is growth,” she says. “If you want it, work for it, and never give up on your dreams.” Four Arrows offers a College Student Special; with a student ID, or by providing their college name, major and sharing why they like Four Arrows boots, college students can purchase a pair of boots for just copy25 (excluding exotic leathered boots, turquoise haven, and special edition boots). Four Arrows also offers discounts with group pricing. Interested customers can email[email protected], or visitwww.four-arrows-westernwear.com/contact. Four Arrows guarantees a response within two business days.

While LaFrance-Chachere keeps busy with her day job as an office and financial manager for the soccer club Houston Dutch Lions FC, she pours all her extra energy into overseeing Four Arrows with Dennis.

And when she finds a little spare time for fun? LaFrance-Chachere rides horses with her husband.

 

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No matter how hard we try there’s always going to be that one ‘Bad Hair Day’. Lucky for us head scarfs are totally acceptable and leaves you looking chic without much effort.

Below are 5 ideas for you to try :

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Bold African prints, colorful head wraps, and exquisite accessories are seriously trending now more than ever before. “It’s a shoot that will let you reflect upon the perfect culture of Africa,” says Ryan Powell, the photographer who created this fashion photo shoot. Be it a vintage look you have in mind, or something extravagant and chic, these stunning pieces will become your key wardrobe pieces – so heavenly you will never want to take them off. Check out the images below for some fashion inspiration..

Photo credits: Photography by Ryan Powell (Instagram: @Psychidelico ) | Styled by Saniyyah Bilal (Instagram: @curiostyling ) | Makeup by Denise Rice (Instagram: @IamDeniseRice ) | Modeled by Leeanne Burrell (Instagram: @belee_that )

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Isabella Gemma is a retail jewelry brand that collects exquisite jewelry designs from jewelry designers globe over.

This holiday season we are geared to help you celebrate in style with our selection of trendy jewelry. Seize your moment and truly dazzle at any event this season in our ornate jewelry collection.

Shop now for exquisite hand crafted to perfection pieces for yourself or a gift for a loved one.

Thrown on some holiday sparkle now, shop online www.isabellagemma.com or visit their showroom at Sennia House 41a Joel Ogunnaike, Street, GRA Ikeja, Lagos

Enter the discount Code ISGXMAS at checkout online and mention the 10% off promotion in store.

Opening hours 9AM to 6PM Mondays- Saturdays.

Social Media
Instagram – @isabellagemma
Facebook – bellagemmajewelry
Twitter – @isabellagemmang

RANDOM POSTS

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There’s a new mini bag in town, and it’s even more petite than the ones we’ve come across. Coined the Celly by Glamour US,...